Saturday 24 May 2008

Janet Jackson

Janet Jackson   
Artist: Janet Jackson

   Genre(s): 
R&B: Soul
   Pop
   Rock
   Rock: Pop-Rock
   Dance
   



Discography:


20 Years Old   
 20 Years Old

   Year: 2006   
Tracks: 18


I Want You   
 I Want You

   Year: 2004   
Tracks: 3


All Nite (Don't Stop)   
 All Nite (Don't Stop)

   Year: 2004   
Tracks: 8


Doesn't Really Matter   
 Doesn't Really Matter

   Year: 2001   
Tracks: 3


All For You   
 All For You

   Year: 2001   
Tracks: 20


The.Remix.Collection CD2   
 The.Remix.Collection CD2

   Year: 2000   
Tracks: 9


The.Remix.Collection CD1   
 The.Remix.Collection CD1

   Year: 2000   
Tracks: 9


Golden Rock Ballads 20 years Later   
 Golden Rock Ballads 20 years Later

   Year: 2000   
Tracks: 16


The Velvet Rope   
 The Velvet Rope

   Year: 1997   
Tracks: 22


Design of a Decade: 1986-1996   
 Design of a Decade: 1986-1996

   Year: 1995   
Tracks: 18


Design Of A Decade   
 Design Of A Decade

   Year: 1995   
Tracks: 16


That's The Way Love Goes CDS   
 That's The Way Love Goes CDS

   Year: 1993   
Tracks: 6


Janet   
 Janet

   Year: 1993   
Tracks: 27


Rhythm Nation 1814   
 Rhythm Nation 1814

   Year: 1989   
Tracks: 20


Control   
 Control

   Year: 1986   
Tracks: 9


Dream Street   
 Dream Street

   Year: 1984   
Tracks: 9


Janet Jackson   
 Janet Jackson

   Year: 1982   
Tracks: 8


Velvet Rope   
 Velvet Rope

   Year:    
Tracks: 22


Together Again (Maxi)   
 Together Again (Maxi)

   Year:    
Tracks: 6




Few celebrity siblings lavatory emerge from the shadows of their already famous relations to become superstars in their have correct and with their possess distinct personalities. That's precisely what Janet Jackson did in decorous one of the biggest female pop and R&B stars of the '80s and '90s. Since her breakthrough in 1986 with the album Control, Jackson's calling as a hitmaker has been a model of consistency, rivaling Madonna and Whitney Houston in footing of pop up chart success over the long draw. A great function of the reason was that Jackson unbroken her level of tone control very high; her singles were always expertly crafted, with indelible pop hooks and state of the art product that kept up with contemporaneous trends in urban R&B. Once established, her broad-based attract never really swaybacked all that much; she was able to head off significant career missteps, musical and other than, and successfully shifted her figure of speech from a strong, independent young woman to a aphrodisiac, grow grownup. With a string of multi-platinum albums under her whack, she showed no signs of slowing down in the new millennium.


Janet Damita Jo Jackson was born May 16, 1966, in Gary, IN. She was the youngest of baseball club children in the Jackson kinsperson, and her old brothers had already begun performing unitedly as the Jackson 5 by the metre she was born. Bitten by the acting bug at a edward Young age, she first-class honours degree appeared onstage with the Jackson 5 at age seven-spot, and began a sitcom performing career at the age of x in 1977, when manufacturer Norman Lear selected her to join the cast of Unspoiled Times. She remained thither until 1979, and subsequently appeared on Diff'rent Strokes (1981-1982) and A New Kind of Family. In 1982, pushed by her father into stressful a vocalizing career, Jackson released her self-titled first album on A&M; a twosome of singles scraped the lour reaches of the charts, simply on the solid, it made very small noise. She was vomit in the melodious series Fame in 1983; the next yr, she issued her irregular album, Dream Street, which sold even more than under the weather than its herald. Upon turning 18, Jackson rebelled against her parents' close superintendence, eloping with a member of another musical home, isaac Merrit Singer James DeBarge. However, the relationship speedily make the rocks and Jackson wounding up moving back into her parents' domicile and having the marriage annulled.


Jackson took some clock time to second thought her musical career, and her father hired her a young manager, John McClain, wHO isolated his youth charge to train her as a terpsichorean (and make her lose weightiness). McClain hooked Jackson up with producers/writers Jimmy Jam and Terry Lewis, whom she'd seen perform as members of the Minneapolis funk outfit the Time. Jackson collaborated with Jam and Lewis on nigh of the tracks for her following record album, Mastery, which presented her as a confident, tough-minded lester Willis Young woman (with a easygoing face and a sense of humor) pickings charge of her living for the get-go meter. In financial backing of Jackson's new persona, Jam and Lewis crafted a set up of dressed, computerized support tracks with slamming beatniks that owed more to heavy, hip-hop-tinged funk and urban R&B than Janet's older brother Michael's music. Control became an out-of-the-box make, and finally spun off sestet singles, the first five of which -- "What Have You Done for Me Lately," the take in phrase-inspiring "Filthy," the number one "When I Think of You," the form of address rails, and the lay "Let's Wait Awhile" -- hit the Top Five on the pop charts. Jackson was hailed as a role model for youth women and Mastery eventually sold all over pentad 1000000 copies, establishing Jackson as non just a star, simply her own woman. It as well made Jam and Lewis a monstrously in demand production team.


For the hotly hoped-for follow-up, McClain precious to labour Jackson toward more overtly sexual territory, to which she objected strenuously. Instead, she began collaborating with Jam and Lewis on more socially conscious material, which formed the backbone of 1989's Rhythm Nation 1814 (the "1814" purportedly stood for either the letters "R" and "N" or the year "The Star-Spangled Banner" was written). Actually, keep for the claim caterpillar tread, most of the record's singles were bright and romantically themed; four of them -- "Miss You Much," "Risky venture," "Blackened Cat," and "Love Will Never Do (Without You)" -- polish off number one, and three more -- "Speech rhythm Nation," "All right," and "Come Back to Me" -- reached the Top Five, devising Jackson the first creative person ever to bring forth seven Top Five hits off of nonpareil album (something non fifty-fifty her comrade Michael had accomplished). Aside from a greater enjoyment of outside samples, Regular recurrence Nation's sound mostly resembled that of Ascendence, just was precisely as well crafted, and listeners embraced it sky-high, purchasing over captain Hicks meg copies. Jackson undertook her first real tour (she'd appeared at high schools around the rural area in 1982) in support of the album and it was predictably a shattering success. In 1991, Jackson capitalized on her success by jumping from A&M to Virgin for a reported $32 1000000, and besides secretly marital choreographer and longtime fellow René Elizondo.


Once on Virgin, Jackson specify almost revamping her good and image. Her 1992 duo with Luther Vandross from the Mo' Money soundtrack, "The Best Things in Life Are Free," was a major R&B polish off, likewise stretch the pop Top Ten. The following twelvemonth, she besides resumed her playing life history, co-starring in acclaimed director (and former jr high classmate) John Singleton's Poetic Justice, along with rapper Tupac Shakur. But neither genuinely hinted at the sexy, seductive, fully adult persona she unveiled with 1993's janet., her Virgin debut. Jackson trumpeted her new image with a notorious Rolling Stone cover picture, in which her topless configuration was covered by a geminate of workforce belonging to an spiritual world "admirer." Musically, Jam and Lewis specify aside the synthesized funk of their first two albums with Jackson in favor of warm, inviting, mildly undulating grooves. The album's lead undivided, the slinky "That's the Way Love Goes," became Jackson's biggest polish off ever so, spending eight weeks at number unitary. It was followed by a predictably long parade of Top Ten hits -- "If," the number nonpareil ballad "Once again," "Because of You," "Any Time, Any Place," "You Want This." janet.'s debut showing at issue 1 made it her third straight chart-topping album, and it went on to sell nigh vII one thousand thousand copies.


In 1995, Janet and Michael teamed up for the unmarried "Wow," which was supported by an work out, award-winning, space age tV that, upon culmination, graded as the to the highest degree expensive music video ever made. The unmarried debuted at number pentad on the pop charts, merely bit by bit slid down from at that place. In 1996, A&M issued a retrospective of her years at the mark, Designing of a Decade 1986-1996; it featured the Virgin polish off "That's the Way Love Goes" and a few new tracks, one of which, "Fugitive," became a Top Five polish off. Jackson also signed a new contract with Virgin for a reported $80 meg. Yet patch working on her following album, Jackson reportedly suffered an emotional breakdown, or at least a severe bout with depressive disorder; she later on elevated eyebrows when she talked in several interviews around the cleansing value of chocolate enemas as theatrical role of her treatment. Her next record album, The Velvet Rope, appeared in 1997 and was touted as her most personal and intimate work to escort. The Velvet Rope sought-after to combine the sensualness of janet. with the more socially conscious parts of Musical rhythm Nation, commixture songs just about issues like domestic pervert, AIDS, and homophobia with her to the highest degree sexually explicit songs ever so. Critical view on the record album was divided; some applauded her ambitiousness, patch others establish the record too bloated. The lead American single "Together Again," an lament for AIDS victims, was a number ane hit; besides popular on the wireless was "Got 'til It's Gone," which featured rapper Q-Tip and a sample of Joni Mitchell over a reggae beat. "I Get Lonely," featuring Blackstreet, was some other big hit; merely on the whole, The Velvet Rope didn't prove to be the blockbuster singles gravy that its predecessors were, which was believably wherefore its gross sales stalled at around three 1000000 copies.


Thomas J. Jackson toured the world over again, and stayed on the charts in 1999 with the Top Five Busta Rhymes duet "What's It Gonna Be?!"; her appearance in the video remade her as a glitzy, unnaturally costumed, single-name diva. In 2000, she appeared in the Eddie Murphy funniness Nutlike Professor II: The Klumps, and her soundtrack donation, "Doesn't Really Matter," became a number ane single. Unfortunately, Jackson's married couple to Elizondo had turn constrained and the couple divorced in 2000, sparking a courtroom battle over her musical income. Jackson returned with a new record album, All for You, in 2001, which largely continued the sensual tone of janet. and The Velvet Rope; it debuted at number ane, merchandising over 600,000 copies in its first week alone. The title track was issued as the album's first base single and quickly topped the charts, followed by another sizeable hit in "Individual to Call My Lover."


Patch Jackson played out a great deal of 2001 and 2002 on the road supporting All for You, she also launch sentence for some guest appearances, most notably with Beenie Man on his Tropical Storm LP and Justin Timberlake on Justified. By 2003 she was back in the studio, working once once again with Jam and Lewis on tracks for a new record album; extra producers included Dallas Austin and Kanye West. Later that year, it was revealed Jackson would subscribe to role in an MTV-produced extravaganza during halftime at the Super Bowl. 2004 began with an Internet news leak of the upbeat Austin production "Simply a Little While." The singer's camp rolled with the punches, oblation the course to wireless as an authorised digital download, simply the bombinate this business caused was minuscule in comparison to the nightmare union of disembarrass exposure and bad publicity that Jackson's next hazard caused. Appearing at halftime of Super Bowl XXXVIII as scheduled, Jackson performed "All for You" and "Rhythm Nation" in front bringing kO'd surprise guest Timberlake for a duet on his strike "Rock Your Body." But the real surprise came at song's end, when a motion from Timberlake caused Jackson's costume to shoot, exposing her correct, punctured boob on unrecorded television to hundreds of millions of viewers.


The incident caused furious backpedaling and apologizing from Timberlake, Jackson, the NFL, CBS, and MTV, which swore no previous knowledge of the alleged "wardrobe malfunction," and light-emitting diode to speculation over how Damita Jo -- Jackson's approaching album and her first in trey long time -- would be standard. But while the argument gave Jackson both heartbreak and a bit of dislodge advertising, it was too the impetus for a national consider on public impropriety. A federal commission was set up to investigate lubricity, the FCC enacted tougher crackdowns on TV and radio programs broadcast medium questionable content, and dead everyone from pundits to politicians to the man in the street had an judgment on Janet Jackson's pectus. Later that March, the singer softly started devising the talk show rounds. She was still apologizing for the incident, but she was too promoting Damita Jo, which Virgin issued at the end of the calendar month. Largely considered a disappointment, the album still sold over deuce jillion copies oecumenical and earned three Grammy nominations. 20 Y.O. followed two age subsequently, and though it was reviewed more than favorably than Damita Jo, it was off the Billboard cc album chart after 15 weeks. Jermaine Dupri, Jackson's dear sake and the executive producer of the record album, was so perturbation over Virgin's want of support that he left his post as prexy of Virgin's urban division.